Limelight Fears

Last night I shared the stage with my father at the Actor Gang's WTF? Festival. I screened by dad's favorite of his HBO specials, "Jammin' in NY," and then read from his memoir, "Last Words." Then I read a few of my own stories about my childhood.

For years, I have been reading these and other stories about my life around Los Angeles at different spoken word venues. I did these essays as a side dish to my life. Never taking them or myself very seriously. I didn't want them upsetting the apple cart - my relationship with my father. You see, he was a little uncomfortable with my chosen art form. It made him nervous that I stripped myself naked, metaphorically speaking, and spoke of the confusion, hopes and miracles that make up my life. He wanted to protect me from some kind of unknown harm - critics? The artist's life? The impossible life in the limelight?

Thanks to the community of friends and artists I now find myself immersed in, I am taking my art form and myself more seriously these days. They have been telling me to take the stage more often, and so I am finally listening to them and to my heart that has been telling me for years that I belong on a stage, telling my stories and speaking about how I see the world.

Identity is bullshit ultimately. Who I see myself as is, in the big picture, meaningless. But in other ways it is essential to make an X on the ground and say, "Here I stand. And from here I will do this." And so, I will take my mark. Stand my ground and go out and speak my truth. I mean after all, that is what the old man taught me everyday of HIS life.

Week 4 of Busting through 100 Fears in 100 Days

Holy Shit MOMENTUM!

Here's the BIG thing I realized this week: If you want something really bad (like I want MY book to be published) you are more likely to walk through fears that have stopped you in the past. It's amazing what a little desire will do to dissolve fear.

Great talk with literary agent about direction for my SPIRITUAL memoir. There it is, the big fear - I am admitting to the world that what I do is of a spiritual nature. To me that means examining what brings meaning to my life as a human, what it takes to embrace the whole shebang I am offered while being alive (the good, the bad, the beauty, and the ugly) and how I can walk through it awake and with compassion.

Built a new website: www.thekellycarlinsite.com where I have integrated all of my polyminds for the world to see, and fully owning that I am a hyphenate in an increasingly intergral world: author-speaker-teacher-daughter.

Said yes to teaching a 90 minute online webinar in December. Another HUGE fear busted through - teaching strangers, not just friends and acquaintances. Big hurdle in the past.

And of course, saying yes to all the promotion for my dad's book Last Words, that comes out November 10th. http://books.simonandschuster.com/Last-Words/George-Carlin/9781439172957 I'll be doing live, print, radio and TV promoting.

Which led me to saying yes to Tim Robbins when he asked me Wednesday night, "Will you read some of your stories at the screening?" Here's the link for that event: http://www.wtffestival.theactorsgang.com/calendar.html#nov4

Now go out and have some fucking fun!

Days 21-25 of Busting Through 100 Fears in 100 Days

Where have I been all week? I've been here mostly. Genpo Rosh's Big Mind work is an elegant weaving of Zen Buddhism and deep shadow work. He utilizes a technique called Voice Dialogue to access aspects of the self. It enables you connect with aspects that have been mostly rejected by the self and therefore have become shadow elements. The amazing thing is with this work is that you not only access the dualistic voices, but you easily access the non-dual, transcendent ones too. You get to have an experience of the non-dual as easy as shifting in your chair. It turns out that all the "seeking" that we do to access this limitless, peaceful, and clear state of mind is the very thing that has kept us from it. The more you "try" the less you are IN it. I spent much of the week sitting in this space of clear, limitless mind.

And that is why this week has felt like: So Many Days, So Few Fears.

And then came Friday. A few weeks ago, I asked my manager for some help. I knew I needed an editor or agent to help me with my book outline. And he cam through. So Friday I had a conversation with a literary agent. It was a great conversation. She is smart, savvy and gets what I am up to. She was the editor of my dad's first book Brain Droppings.

Bottom line - during the conversation I claimed something that I know is what I have been avoiding claiming for a long, long time. It is about who I am and what I am really doing through all the work I do - finding a clear and consistent relationship with the sacred.

So, when it came to defining a genre that I thought my memoir would fit into, I knew where it belonged - in the spiritual memoir section. And although that word can be construed in a myriad of ways, most of which I hate, it is where I belong.

AND THIS WAS TERRIFYING. But here it is - I am writing a memoir - a spiritual memoir. I have been avoiding stepping into this label for a long time. I know ultimately it is what ALL of my work is about whether I am writing, performing, teaching or coaching, i am interested in my and the world's relationship with the sacred, the transcendent, the soul, the True Self, the Authentic Voice. Name it what you want, but it is it.

What a week.
Question for the week: What has your soul been asking you to claim for the last 10 years?

Day 10 of 100 Fears in 100 Days; What Family Looks Like Now

Last night I once again hung out at Paul Provenza's tapings of his new show The Green Room for Showtime. Once again, fucking amazing.

First show - Penn Jillette, Martin Mull and Tommy Smothers. Penn was clearly geeked out by the fact that one of his heroes, Martin Mull was on the panel with him, and that he got to play a duet with him. I love Penn - big man, big opinions and one big fucking heart. There was also a fun and philosophic discussion about atheism, God and the notion of belief (love this stuff - always makes me think about my papa), but what I loved was when they talked about the mechanics of comedy - timing, silences, joke telling. Oh, and speaking of joke telling, Penn told Provenza's favorite joke about a pair of female Siamese twins - one of which played the trombone and the other who loves to masturbate, while they both love Julio Iglesias - need I say more?

Second show - Roseanne Barr, Bob Saget, Sandra Bernhard and Patrice Oneal. Very different vibe, more of an intimate conversation among friends about the business which eventually turned into a therapy session for Patrice about his disappointments with Roseanne, Sagat and Sandra playing the roles of therapist! Wow. And then, mixed into that were these bold declarations from all about the state of the world, our roles in it, etc. - you'll just have to watch it.

If fire was the first nights alchemical element, I would have to say the element last night felt more watery - like a shape-shifting and life giving force.

And me and this fear thing? Well. It seems these last few nights have created a state of fearlessness in me. There is no one I am being cautious around. There is nothing I am afraid to say. There is no discomfort. I am home.

While watching Martin and Tommy on the show. I suddenly got very emotional. I realized that in some way, these men who are the around the age of my father are my new fathers. And then hearing Roseanne and Sandra talk about their views about hope, and the planet, I saw that they are my sisters - I could have easily folded into their conversation. And Paul - well, he is certainly a brother (with Rick, Gary, David all funny, smart, big-hearted men).

Now that my mom and dad are both gone, people have been saying to me that I am now an orphan. Oh, how wrong they are, how wrong they are.

Sacred Cows, Alchemy and Day 9 of 100 Fears in 100 Days

This Polymind is tired today. Up too late. Up too early.

Last night I went to a taping of comedian Paul Provenza's new Showtime show The Green Room. For my part, I let myself be folded into the fabric of this comedy family that has been so beautiful to me this last year. I am so grateful. And even though there were moments I felt like stepping back into the shadows, I stayed present and in the light, and in the front row.

A little about what I saw last night.
Paul has created a big, safe space for comedians to hang out and do what they do best - daringly mouth off with great wit. At different times, depending on the guest configuration, it was thought provoking, heart warming and flat out offensive - which is a good thing - and always hilarious. My dad used to say that a comics job was to find the line and cross it. And Provenza does that and invites others to do the same while always in service of tearing down the sacred cows and making us question it all. It is a huge honor to be there and be part of this new family of mine - thanks Paul. Thanks dad.

But all that aside, the thing that was most amazing about last night was watching co-creation in action.

The first show had Jonathan Winters, Robert Klein and Rick Overton. There clearly was an atmosphere of reverence for Jonathan, but because Paul creates such an open space, Jonathan also got to show his most subversive side and speak his truth about his life and the business in a way that you just can never do on the Tonight Show or Letterman. We all knew we were in the presence of comic royalty. Klein and Overton felt it, and although there brilliance shone in the moments when they took the spotlight, you could tell they knew this was about giving back something to Jonathan. Paul set the atmosphere brilliantly.

The second show had Paul Mooney and Bobby Slayton and Jim Jefferies (all very provocative comics) and Rain Pryor. Again Paul set the stage perfectly, he threw the topics up in the air - being black, jewish, racism - all big bones for these four - and wow - the air crackled with wit, and on the edge of your seat anticipation. It was like being on a street corner and watching the jabs, insults and great put downs fly between a tight knit gang. At times it was a bit more "dick-waving" than I can handle, it's just not my personal style, but it was fucking fun to watch! They were all playing with BIG fire, and yet they knew it was play. This is a difficult and great feat. The alchemy was HOT. Paul is a wizard.

Playing with BIG fire - that is the lesson here in dealing with my fears today. I was raised to be the peacemaker in my family, to put out fires. So, I assume that I can't handle the heat, that I will get burned automatically, and so I tend to not go near the fire, and certainly not stoke it.

But in any alchemical transformation, you need fire. You need to turn it up! So I am seeing that with consciousness, humor and in service of tearing down my personal and the collective's sacred cows (the bullshit stories we keep in our heads to keep us from moving toward what we ALL need to do as individuals and a world), I need to be more willing togo into the fears (fires). It is a powerful path to transformation.

What will I conquer today/tonight in my own commitment to this FEAR thing? I do not know. I will return for two more tapings tonight. Maybe I will let myself jump into the fire, cross a line, play on the street corner. Who knows. Anything is possible. Burn, baby, burn.

Day 3 of 100 Fears in 100 Days

Good morning. So I caught up all my accounting yesterday. It was GREAT! GOD that one has been gnawing at me for months. Today I will contact my book keeper to sort out a minor accounting error so I can then reconcile it in the software.

I need to write today - and on these days of writing, I tend to not do much else. So I am trying to think what I want to do to scare the shit out of myself today....

I know. I will send a copy of a screenplay that NO ONE has ever read to a friend that said that she would read it for me. The thought of sharing this with another makes my stomach go huooaa partly because it is a piece of work that shot out straight from my soul. It was like bliss writing it, and felt so resonant when I did it. I wrote it to be part of my thesis for my Masters in 2004. It is a musical that uses modern popular music to weave the stories of the Demeter/Persephone myth together with my own journey of mourning the loss of my mother. It was inspired in part by Baz Luhrman and Julie Taymor.

YIKES. Okay here goes.

BTW - What are you conquering today?

100 Fears in 100 Days

So, a friend on Facebook - a life leadership coach named Laura Neff - shared that she is committing to doing one thing that scares her for 100 days.

I figured it out that if I start today then on December 31st will be my 100th day. I cannot resist that kind of synchronicity.

Here is the quote that really got me thinking:
What are you putting off out of fear? Usually, what we most fear doing is what we most need to do. that phone call, that conversation, whatever the action might be – it is fear of unknown outcomes that prevents us from doing what we need to do. Define the worst case, accept it, and do it. I’ll repeat something you might consider tattooing on your forehead: What we fear doing most is usually what we most need to do. As I have heard said, a person’s success in life can usually be measured by the number of uncomfortable conversation he or she is willing to have. Resolve to do one thing every day that you fear. I got into this habit by attempting to contact celebrities and famous businesspeople for advice.
~ Ferris, Timothy. The 4-Hour WorkWeek. New York: Crown, 2007.

BTW - what scares me might be a walk in the park for you - so cut me some slack and go scare the shit out of yourself today. You'll feel better for it!

So what scares me today? Well, I really want to move my writing, speaking , teaching career forward, so just about anything to do around that makes me nervous. Today I am working on creating a new website to showcase ALL of my talents past, present and future. I am assembling a list of all my content (writing, video, audio) and the steps I need to take to get them web ready.

Join me if you like on this 100 Day Adventure. Parties are much more fun when there are people to pass the pipe around to (metaphorically speaking, of course).